There are many tasks, like rendering, that you can offload from your local DaVinci Resolve Studio workstation to the FLOW ecosystem. FLOW’s import manager lets you choose all available formats and resolutions.Īnd of course, range markers and large amounts of metadata are preserved when material is imported to or exported from DaVinci Resolve Studio via the FLOW integration. It also allows you to work inside DaVinci Resolve Studio with ultra-efficient formats that were not previously supported, such as H.264/MP4. In fact, if you have already downloaded media, FLOW allows you to toggle between multiple formats – Mezzanine and Proxy for example.
Also, for ultra high resolution codecs you may find it easier to work in a lightweight proxy to put less strain on your system”.įLOW doesn’t lock remote workers into any particular format. But for remote work, it’s likely that you’ll want to work with media files that are bandwidth-friendly.
#Difference between davinci resolve and studio full#
Imagine the difference between having to find media locally based on a complicated and convoluted file structure and, instead, searching within Resolve Studio via the integration with FLOW for media that’s anywhere within the FLOW media management ecosystem.ĭemo of FLOW integration with DaVinci Resolve Studio Remote possibilities, ultra high resolution potentialįLOW doesn’t mind whether you’re working with full resolution media, mezzanine codecs, or proxy-level content. The moment they want to find media – or export it into the FLOW system – they can use the integration to manage that task. Crucially, DaVinci Resolve Studio users can stay in their comfortable and productive zone within the Resolve user interface. Resolve creatives will find immediate and dynamic connection to their media on a shared and collaborative storage system. It brings all the enterprise power of FLOW’s search and media management right into the heart of the DaVinci Resolve Studio.įor DaVinci Resolve Studio users, it’s business as usual, working inside a familiar environment with nothing to learn except new and good stuff. The FLOW workflow integration with Resolve 17 enables users to find digital assets fastīlackmagic Design has cleverly engineered modern versions of DaVinci Resolve Studio to be open to integration with other software, not just through conventional plugins, but through workflows that are completely dynamic and highly functional.Īs a result of close collaboration between EditShare and Blackmagic Design, FLOW is now available to DaVinci Resolve Studio users as a workflow integration. FLOW’s new integration with DaVinci Resolve Studio brings users into a new world of searchable media, remote working, and format flexibility. When you put these factors together, they point inexorably to a need for a solution like FLOW, which is built on scalable distributed technology stack and optimized for media at every level.ĭaVinci Resolve is a super-powerful application in itself but it was never designed to sit at the center of a global, interconnected digital media ecosystem. At the same time, the amount of video content across the planet is showing explosive growth. In the new COVID world, remote working and collaboration are no longer “nice to have” but completely essential. We’ve all had to innovate, so much so that new ways of working that might have taken years before have now been planned and implemented in just a few weeks. The last decade has changed technology and entertainment far beyond what anyone would have predicted, and on top of that, everyone is currently dealing with the consequences of a global pandemic. Today, in a world that would have seemed unimaginable back then, DaVinci Resolve has more than 2M users, and has grown into one of the most fully featured applications in post production.
But if you could afford it, or sometimes even if you couldn’t, it brought an extraordinary level of capability to its users. Just eleven years ago, when DaVinci Resolve was hardware-based and usually found in the plush and rarified grading suites of only the top level post production houses, there were around a hundred installations.
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